iu, a collection of visual poetry, is now available from Xerolage
Wanted to take a moment to announce my latest publication, iu, from mIEKAL aND’s superb Xerolage imprint. Head to the Xexoxial site to pick up a copy of your own.
What we have here are digital talismanic suggestions. In this series of vispo, design elements construct a place for you and eye to land. The dotted i returns u see. Letterforms conjure humanity in their very simplicity. These compositions rework certain concrete poetic ideas. The letters i and u undergo new permutations. It’s a satisfying jaunt through renewed verbo-visual possibilities. John Moore Williams is part of the next wave of visual poet.
– Nico Vassilakis
I didn’t know who I am before I saw iu. I didn’t know what I was, or the difference between I and U. I was continually thinking U were I when you were nothing of the kind. But in this book, in this John Moore Williams book, we discover that I am the mother of U, who is I bent in the middle and whose feet point up to the sky. Sometimes, I am a shadow. Sometimes, I is a change. Sometimes, I am in a pile of U’s and cannot get out. Sometimes, I is a whirling of shapes. Sometimes, I am spare. Because I go on forever, and I end at the end of each finger, each of which is just another I. I is clean. I am dirty. And in John Moore Williams’ hands of ten small I’s, I is everywhere and everything, the letter is examined as a meaning and a shape, the I is made into structures of beauty, and if you read the book you just might know what I am and you are.
– Geof Huth
iu is a textual journey that begins as a root, working its way up and around the viewer in a labyrinthine web of finely-woven vispoage.
Williams’ unending quest for uncharted wordscapes is most present in this newest work, uniquely and intricately grafted into a new flesh, begging exploration.
– Matina L. Stamatakis
from the introduction:
iu seeks to accept, complicate and reject this conflation, this crystal-clear union of sign and signifier. In accepting the sparest of letterforms as its subject, then attempting to create a wide variety of forms out of this simple cloth, the book embraces the generativity of restriction. At the same time, it attempts to explore the multifarious and complex meanings of identity and individuality through simple, iconic forms. Many of the pieces employ the archetypal forms and arrangements of the comic book, that most lyric and identity-obsessed of popular fiction forms, while others work through more concrete arrangements, attempting to graphically depict the semantic content in much the same way the letterform itself does. Oh, and then there’s the letter U, which our shorthand age has rendered nearly as pictographic as I.