As the craze for fonts and typography reaches a fever pitch, foundries are going to all-new lengths to sell their target audiences—designers—right where they live: in Adobe Creative Suite. And just which programs within the Creative Suite the foundries choose to make their pitch is truly telling. Not to mention, potentially unsettling.
I recently got the chance to contribute blogs to not one, but two fantastic outlets on typography and graphic design in general: the event blog for the inaugural TYPO San Francisco—the American manifestation of Europe’s “premiere design event”—and Eye magazine’s blog column, Type Tuesday.
Read on to learn more about TYPO SF and what #FontSunday has to do with Type Tuesday.
The new web typography app Typecast offers designers the ability to compose their type settings in the browser. Is it revolutionary, unnecessary, or just a bit of fun? I’ll answer that by digging into just how Typecast works to make your design workflow easier (or doesn’t).
In part through the influence of the fantastic Vernacular Typography project, I’ve become obsessed with one particular manifestation of the typescape that surrounds us all. The one most likely to avoid our ever-forward-looking gaze, in fact: the type beneath our feet.
Wherever you go in the urban, and even the rural, world, you trod upon the words of others. And you hardly ever notice it. Granted, these are words of purely utilitarian value—at least, that is their primary intent. But as I’ve discovered these ultimately disregarded and yet wonderfully resilient signs, I’ve noticed a peculiarly poetic element to their time- and elements-scarred contours, to the strange messages they so often convey when divorced from their familiar contexts.
The small sewer cover above, for instance, struck me for its lovely textures and rusted color, which seemed to echo beautifully the decay and squalor you expect to find beneath its thin metal plate. And the fading away of the S pulled the word ewer to my mind—a ewer being a vase-like pitcher used to hold anything a person might drink. Richly ironic contrasts abound!
s you can clearly see, I got a little out of hand with the A, allowing it to sprawl all over the page in a kind of organic explosion. Seems appropriate enough for its shape, which recalls a mountain erupting up through the earth of the baseline grid, at least to my eye. I’ve simply […]
Erg Arts, the online publishing arm of Cricket Online Review, asked me to design the cover and interior for their upcoming e-chapbook, More Po/Ems by Richard Kostelanetz, soon after publishing some of my visual poetry in a recent edition of Cricket. Kostelanetz, a widely published and well-known experimental poet, had many highly specific demands for […]
Wanted to take a moment to announce my latest publication, iu, from mIEKAL aND’s superb Xerolage imprint. Head to the Xexoxial site to pick up a copy of your own. What we have here are digital talismanic suggestions. In this series of vispo, design elements construct a place for you and eye to land. The […]